Deconstructing Shapes

[vc_row row_content_width= »grid » content_text_aligment= »center » use_row_as_full_screen_section= »no »][vc_column][vc_empty_space height= »52″][vc_custom_heading text= »Between by Sara Polmar » font_container= »tag:h2|text_align:center » google_fonts= »font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal » css= ».vc_custom_1466773533730{margin-top: 0px !important;margin-bottom: 0px !important;} »][vc_empty_space height= »18″][vc_empty_space height= »14″][/vc_column][/vc_row][vc_row row_content_width= »grid » content_text_aligment= »left » use_row_as_full_screen_section= »no »][vc_column][vc_column_text]A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around the vase form a frame for the flowers or plants within it, creating a juxtaposition between the grounded weight and seemingly eternal character of the object and the changing and changeable nature of its contents.[/vc_column_text][vc_empty_space height= »14″][vc_column_text]Website: andreasengesvik.no[/vc_column_text][vc_empty_space height= »15″][edgtf_social_share type= »list » icon_type= »font-awesome » title= »Social: »][vc_empty_space height= »29″][vc_separator css= ».vc_custom_1466773646048{padding-top: 0px !important;padding-bottom: 0px !important;} »][vc_empty_space height= »1″][/vc_column][/vc_row]