Deconstructing Shapes

[vc_row content_text_aligment= » » use_row_as_full_screen_section= »no »][vc_column][rev_slider_vc alias= »single-slider »][/vc_column][/vc_row][vc_row content_text_aligment= » » use_row_as_full_screen_section= »no »][vc_column][vc_row_inner content_text_aligment= » » css= ».vc_custom_1466763316801{margin-right: -25px !important;margin-left: -25px !important;} »][vc_column_inner css= ».vc_custom_1466776128269{padding-right: 25px !important;padding-left: 25px !important;} » offset= »vc_col-lg-4″][vc_separator css= ».vc_custom_1466762700668{padding-top: 61px !important;} »][vc_empty_space height= »22″][vc_column_text]Client: Neither a sofa nor an armchair[/vc_column_text][vc_empty_space height= »5″][vc_column_text]Art direction: Elie Pullum[/vc_column_text][vc_empty_space height= »5″][vc_column_text]Website: sarapolmar.no[/vc_column_text][vc_empty_space height= »15″][edgtf_social_share type= »list » icon_type= »font-awesome » title= »Share: »][vc_empty_space height= »29″][vc_separator][vc_empty_space height= »17″][vc_column_text]

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[/vc_column_inner][vc_column_inner css= ».vc_custom_1466776134483{padding-right: 25px !important;padding-left: 25px !important;} » offset= »vc_col-lg-8″][vc_empty_space height= »52″][vc_custom_heading text= »Between by Sara Polmar » google_fonts= »font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal » css= ».vc_custom_1466773979212{margin-top: 0px !important;margin-bottom: 0px !important;} »][vc_empty_space height= »18″][vc_empty_space height= »14″][vc_column_text]A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around the vase form a frame for the flowers or plants within it, creating a juxtaposition between the grounded weight and seemingly eternal character of the object and the changing and changeable nature of its contents.[/vc_column_text][vc_empty_space height= »33″][vc_single_image image= »957″ img_size= »full »][vc_empty_space height= »22″][vc_column_text]A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around the vase form a frame for the flowers or plants within it, creating a juxtaposition between the grounded weight and seemingly eternal.[/vc_column_text][vc_empty_space height= »33″][vc_single_image image= »955″ img_size= »full »][vc_empty_space height= »22″][vc_column_text]A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around.[/vc_column_text][vc_empty_space height= »33″][vc_single_image image= »956″ img_size= »full »][vc_empty_space height= »22″][vc_column_text]A personal response to Oslo’s Vigeland Park (the world’s largest sculpture garden devoted to a single artist), this patinated bronze vase explores the relationship between the organic and the man-made. The openings around.[/vc_column_text][vc_empty_space height= »14″][vc_column_text]sarapolmar.no[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]